Seven steps to finding the perfect camera.
All in Gear
This is the final part of my full in depth review on the camera gear I used to shoot my feature film, the indie comedy “The Hollywouldn’ts.” Here we'll take a look at just how good the Canon is when filming in low-light/no-light situations.
During the course of shooting this feature I was able to shoot with Canon's new Compact Zooms as well as with their Cinema 85mm prime. Here's how they stacked up under a brutal 3 week shoot.
In this second part, I'll discuss the pro's and con's of using Zacuto's rig during the shooting of the Hollywouldn'ts. If you're wondering if a gratical viewfinder or a recoil rig is right for you, read on.
It's been an incredible rush shooting my first feature film and unbelievably grueling. It was also an honor to be the first feature in the world shot on the new Canon C300 Mark II, so let me tell you how the experience was. The goods, the bads, the uglies.