A fun little short that we shot in November of last year as a little thank you to Canon for lending us their equipment for the Hollywouldn'ts feature film shoot.
A fun little short that we shot in November of last year as a little thank you to Canon for lending us their equipment for the Hollywouldn'ts feature film shoot.
Self tapes are a great way to showcase your amazing acting ability, but only if the director can focus on your acting and not how it was shot.
It's been pretty disheartening to hear a number of my friends, including very, very successful ones, talk about the struggle of independent film. What's worse is seeing the effect this can have in discouraging budding film makers from pursuing their passion.
So you want to be a screenwriter? Think you've got what it takes? Ready to break all the rules? Aha! But first you must know the rules grasshopper!
To submit or not to submit...this is no longer the question. Still getting to this point has been filled with outrageous fortune.
In this post, I'll talk a little bit about what it has been like editing a full feature film: the agony and the ecstasy.
This is the final part of my full in depth review on the camera gear I used to shoot my feature film, the indie comedy “The Hollywouldn’ts.” Here we'll take a look at just how good the Canon is when filming in low-light/no-light situations.
During the course of shooting this feature I was able to shoot with Canon's new Compact Zooms as well as with their Cinema 85mm prime. Here's how they stacked up under a brutal 3 week shoot.